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Roman goddess : ウィキペディア英語版
Roman mythology

Roman mythology is the body of traditional stories pertaining to ancient Rome's legendary origins and religious system, as represented in the literature and visual arts of the Romans. "Roman mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period.
The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements. The stories are often concerned with politics and morality, and how an individual's personal integrity relates to his or her responsibility to the community or Roman state. Heroism is an important theme. When the stories illuminate Roman religious practices, they are more concerned with ritual, augury, and institutions than with theology or cosmogony.〔John North, ''Roman Religion'' (Cambridge University Press, 2000) pp. 4ff.〕
The study of Roman religion and myth is complicated by the early influence of Greek religion on the Italian peninsula during Rome's protohistory, and by the later artistic imitation of Greek literary models by Roman authors. In matters of theology, the Romans were curiously eager to identify their own gods with those of the Greeks (''interpretatio graeca''), and to reinterpret stories about Greek deities under the names of their Roman counterparts.〔North, ''Roman Religion'', pp. 4–5.〕 Rome's early myths and legends also have a dynamic relationship with Etruscan religion, less documented than that of the Greeks.
While Roman mythology may lack a body of divine narratives as extensive as that found in Greek literature,〔North, ''Roman Religion'', p. 4.〕 Romulus and Remus suckling the she-wolf is as famous as any image from Greek mythology except for the Trojan Horse.〔T.P. Wiseman, ''Remus: A Roman Myth'' (Cambridge University Press, 1995), p. xiii.〕 Because Latin literature was more widely known in Europe throughout the Middle Ages and into the Renaissance, the interpretations of Greek myths by the Romans often had the greater influence on narrative and pictorial representations of "classical mythology" than Greek sources. In particular, the versions of Greek myths in Ovid's ''Metamorphoses'', written during the reign of Augustus, came to be regarded as canonical.
==The nature of Roman myth==

Because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the classical scholarship of the 19th century, which valued Greek civilization as more "authentically creative."〔T.P. Wiseman, ''The Myths of Rome'' (University of Exeter Press, 2004), preface (n.p.).〕 From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting.〔Wiseman, ''The Myths of Rome'', preface.〕 The Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities but a pervasive sense of divinely ordered destiny. In Rome's earliest period, history and myth have a mutual and complementary relationship.〔Alexandre Grandazzi, ''The Foundation of Rome: Myth and History'' (Cornell University Press, 1997), pp. 45–46.〕 As T.P. Wiseman notes:

The Roman stories still ''matter'', as they mattered to Dante in 1300 and Shakespeare in 1600 and the founding fathers of the United States in 1776. What does it take to be a free citizen? Can a superpower still be a republic? How does well-meaning authority turn into murderous tyranny?〔Wiseman, ''The Myths of Rome'', preface.〕

Major sources for Roman myth include the ''Aeneid'' of Vergil and the first few books of Livy's history as well as Dionysius' s ''Roman Antiquities''. Other important sources are the ''Fasti'' of Ovid, a six-book poem structured by the Roman religious calendar, and the fourth book of elegies by Propertius. Scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs.

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